Iluminace 2013, 25(3):37-49

Looking for New Aesthetic Models through Italian-Yugoslavian Film Co-Productions: Lowbrow Neorealism in Sand, Love and Salt

Francesco Di Chiara

The article shows how the post-war co-production between Yugoslavia and Italy contributed to the professionalisation of the Yugoslav film industry. Using the example of František Čap's film Sand, Love and Salt, the author shows a new perspective on the transformation of Italian neorealism into a popular genre.

Keywords: Sand, Love and Salt, co-production, neorealism, film genre, film industry

Published: September 1, 2013  Show citation

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Di Chiara, F. (2013). Looking for New Aesthetic Models through Italian-Yugoslavian Film Co-Productions: Lowbrow Neorealism in Sand, Love and Salt. Iluminace, 25(3), 37-49
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