Iluminace 2018, 30(2):98-120 | DOI: 10.58193/ilu.1566

The Actor between Theatre and Film (An Introduction to an Edition)
Project Divadlo státního filmu 1948-1951

©árka Gmiterková

This edition of archival materials with an introductory study maps the creation and inglorious demise of the State Film Theater (1948–1951), which was supposed to institutionally resolve the problematic release of actors from theater contracts for filming purposes, but due to organizational and economic difficulties, it was ultimately abolished and replaced by the Film Actor Studio.

Keywords: State Film Theater, film acting, Czechoslovak State Film, Film Actor Studio, cultural policy

Published: June 1, 2018  Show citation

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Gmiterková, ©. (2018). The Actor between Theatre and Film (An Introduction to an Edition)
Project Divadlo státního filmu 1948-1951. Iluminace, 30(2), 98-120. doi: 10.58193/ilu.1566
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    References

    1. ©árka Gmiterková, Případ Hugo Haas vs. Národní divadlo (1930-1935). Iluminace 24, 2012, č. 1, s. 117-131.
    2. ©árka Gmiterková, Importing Modern Venus. Hollywood, Starlets and the Czech Star System of the early-to-mid 1930s. Iluminace 27, 2015, č. 1, s. 29-42.
    3. Eva ©ormová, Divadlo státního filmu. Divadelní revue 2, 1991, č. 1, s. 92-94.
    4. Bohumil ©mída, Jeden ľivot s filmem. Praha: Mladá fronta 1980.
    5. Eva Strusková, Knihu dľunglí jsem nenapsal. Rozhovor se Svetozarem Vítkem. Iluminace 12, 2000, č. 4, s. 130.

    This is an open access article distributed under the terms of the Creative Commons Attribution 4.0 International License (CC BY 4.0), which permits use, distribution, and reproduction in any medium, provided the original publication is properly cited. No use, distribution or reproduction is permitted which does not comply with these terms.


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