Iluminace 2018, 30(3):130-135
On Cinema after Cinema (Lars Henrik Gass, Film und Kunst nach dem Kino)
Review of Lars Henrik Gasse's book Film und Kunst nach dem Kino presents the author's critical analysis of the migration of film media from cinemas to galleries and the internet, focusing primarily on the loss of a specific "threshold experience" for viewers and the transformation of economic models, while reviewer Matěj Forejt confronts the author's radical thesis about the incompatibility of cinema and museums with examples of functional curatorial solutions.
Keywords: Lars Henrik Gass, Film und Kunst nach dem Kino, film migration, threshold experience, forced perception
Published: September 1, 2018 Show citation
References
- Barbara Pichler - Chris Dercon - Lars Henrik Gass, Orte des Films: Kino, Festival, Kunstmuseum. nach dem Film 20, 2017, č. 15. Dostupné online:, [cit. 20. 9. 2018].
- Walter Benjamin, Dílo a jeho zdroj. Odeon: Praha 1979.
- Matěj Forejt, Sama sobě objektem. Iluminace 30, 2018, č. 2, s. 150-152.
- Lars Henrik Gass, Vom Markt zur Marke. Schnitt 14, 2009, č. 2, s. 44.
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