Iluminace 2020, 32(1):144-150
Behind Brian Massumi's Affective Event (Brian Massumi, Architectures of the Unforeseen: Essays in the Occurent Arts)
Benjamin Slavík's review critically presents Canadian philosopher Brian Massumi's book Architectures of the Unforeseen, which examines the concept of affective events and virtuality in the context of procedural architecture and multimedia art through the prism of Deleuzian philosophy. Despite certain reservations about the author's stylistic epigonism, the reviewer highlights the stimulating nature of his affirmative theories for the analysis and perception of the film image.
Keywords: Brian Massumi, Architectures of the Unforeseen, affective event, Gilles Deleuze
Published: March 1, 2020 Show citation
References
- Brian Massumi, Parables for the Virtual: Movement, Affect, Sensation. Durham - London: Duke University Press 2002.
Go to original source... - Brian Massumi, Semblance and Event: Activist Philosophy and the Occurent Arts. Cambridge: The MIT Press 2011.
Go to original source... - Brian Massumi, The Politics of Affect. Cambridge: Polity 2015.
- Brian Massumi (ed.), A Shock to Thought: Expression After Deleuze and Guattari. London: Routledge 2002.
- Jacques Derrida, L'écriture et la différence. Paris: Éditions du Seuil 1967.
- Gilles Deleuze, Différence et répétition. Paris: Puf 1968.
- Gilles Deleuze - Félix Guattari, Co je filosofie? Praha: OIKOYMENH 2001.
- Gregg Lambert, The Non-Philosophy of Gilles Deleuze. London - New York: Continuum 2002.
Go to original source... - Beth Carroll, Feeling Film: A Spatial Approach. London: Palgrave Macmillan 2016.
Go to original source... - Gilles Deleuze, Pourparlers. Paris: Éditions de Minuit 1990.
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