Iluminace 2020, 32(3):41-59 | DOI: 10.58193/ilu.1673

Club Members for Themselves. Film Club Functionaries in Uherský Brod, 1976-1989

Barbora Podškubková, Pavel Skopal
Masarykova univerzita

Film clubs created a specific cultural environment in Czechoslovakia of the so-called Normalization period of the 1970s and 1980s. Thanks to the extensive infrastructure of film clubs and grass-roots activity in their establishing and maintenance, areas outside large cities were also covered. The case study of the Uherský Brod film club made it possible to identify the functions that the clubs could perform for the functionaries who ran them in such a small city. It thus seeks to contribute to a more comprehensive understanding of the Normalization period as a specific social world characterized by a very unequal distribution of power, but at the same time enabling a range of actions and tactics to meet some of the goals and needs of millions of people. The Eigen-Sinn concept applied in the text makes it possible to monitor agency of the club officials in terms of their efforts to give meaning to their own behaviour in relation to authority - whether in accordance or conflict with ideological expectations on the part of that authority.
From the memories of the participating historical actors, it can be clearly reconstructed that they were motivated to take positions as club officials as an opportunity for satisfying and meaningful fulfilment in their free time. The act of founding the club and the work in its committee had a specific sense for the functionaries - a meaning which was clearly not in conflict with the "sense" that the club acquired for the authorities, but at the same time, far from copying it. The film club committee members did not face an either/or dilemma: they were aware that the local party body needed to show cultural activity through FK, and they still acted "eigen-sinnig" when they implemented their personal interests and ambitions. Their activities were by no means "oppositional" and to a large extent helped to maintain the legitimacy of the power system. The Uherský Brod club committee members tended not to defy established rules and mechanisms or test the limits of what was possible. There was no such thing on the horizon in the way they wanted to build a film club program. On the other hand, the "sense" of activity for the club was not forced on its functionaries - they created it themselves. Their club was neither an "island of freedom" nor a "gear of the regime." It was available both to the sense attributed by the local party body and to the sense implemented by any of the club functionaries themselves.

Keywords: film clubs, film club functionaries, normalization, Czechoslovakia, Eigen-Sinn, agency, state socialism

Published: September 1, 2020  Show citation

ACS AIP APA ASA Harvard Chicago IEEE ISO690 MLA NLM Turabian Vancouver
Podškubková, B., & Skopal, P. (2020). Club Members for Themselves. Film Club Functionaries in Uherský Brod, 1976-1989. Iluminace32(3), 41-59. doi: 10.58193/ilu.1673
Download citation

References

  1. Jiří Knapík - Martin Franc, Průvodce kulturním děním a životním stylem v českých zemích 1948-1967. Praha: Academia 2011.
  2. Tereza Dvořáková - Jan Kastner (eds.), 40 let filmových klubů (texty k připomenutí 40. výročí existence filmových klubů na XXIX. letní filmové škole 2003). Uherské Hradiště: Asociace českých filmových klubů 2003.
  3. Michal Kopeček - Pavel Kolář, Projekt "Socialistická diktatura jako myšlenkový svět". Soudobé dějiny 19, 2012, č. 2, s. 190-191. Go to original source...
  4. Alexej Jurčak, Bylo to na věčné časy, dokud to neskončilo: poslední sovětská generace. Praha: Karolinum 2018.
  5. Přemysl Houda, Normalizační festival: socialistické paradoxy a postsocialistické korekce. Praha: Karolinum 2019.
  6. Petr Sedlák, Každodennost jako předmět a koncept dějepisného poznání. Soudobé dějiny 20, 2013, č. 1-2, s. 135. Go to original source...
  7. Martin Sabrow, Socialismus jako myšlenkový svět. Komunistická diktatura v kulturněhistorické perspektivě. Soudobé dějiny 19, 2012, č. 2, s. 202. Go to original source...
  8. Vítězslav Sommer, Cesta ze slepé uličky "třetího odboje". Koncepty rezistence a studium socialistické diktatury v Československu. Soudobé dějiny 1, 2012, s. 9-36. Go to original source...
  9. Michael Hanagan - Charles Stephenson (eds.), Confrontation, Class Consciousness, and the Labor Process. New York - Westport - London: Greenwood Press 1986. Go to original source...
  10. Alf Lüdtke (ed.), The History of Everyday Life: Reconstructing Historical Experiences and Ways of Life. Princeton: Princeton University Press 1995. Go to original source...
  11. Thomas Lindenberger, The Fragmented Society: "Societal Activism" and Authority in GDR State System. Zeitgeschichte 37, 2010, č. 1, s. 3-20.
  12. Esther von Richthofen, Bringing Culture to the Masses. Control, Compromise and Participation in the GDR. New York - Oxford: Berghahn Books 2009.
  13. Pavel Kolář - Michal Pullmann, Co byla normalizace? Studie o pozdním socialismu. Praha: NLN 2016.
  14. Jakub Jareš - Matěj Spurný - Katka Volná, Náměstí Krasnoarmějců 2. Učitelé a studenti Filozofické fakulty UK v období normalizace. Praha: Filozofická fakulta Univerzity Karlovy 2012.
  15. Petr Andreas, Vybírat a posuzovat. Literární kritika a interpretace v období normalizace. Příbram: Pistorium - Olšanská 2016.
  16. Pavel Skopal, Filmová kultura severního trojúhelníku. Filmy, kina a diváci českých zemí, NDR a Polska 1945-1970. Brno: Host 2014.
  17. Metoděj Zemek - Josef Bartoš, Uherský Brod. Minulost i současnost slováckého města. Brno: Blok 1972.
  18. Josef Beneš, Uherský Brod 21. 10. 1956: Slavnosti J. A. Komenského v Uherském Brodě 1956. Uherský Brod: Museum J. A. Komenského 1958.
  19. Antonín Pavlacký, Uherský Brod: 35 let cestou budování socialismu. Olomouc: Moravské tiskařské závody 1980.
  20. Jan Bernard, Z šedé zóny. Texty a kontexty. Praha: Akademie múzických umění 2010.
  21. Rudolf Fiedler (ed.), 40 letních filmových škol 1964-2004 ve vzpomínkách a dobových ohlasech. Sborník textů vydaný u příležitosti 30. Letní filmové školy v Uherském Hradišti 2004. Uherské Hradiště: Letní filmová škola 2004.

This is an open access article distributed under the terms of the Creative Commons Attribution 4.0 International License (CC BY 4.0), which permits use, distribution, and reproduction in any medium, provided the original publication is properly cited. No use, distribution or reproduction is permitted which does not comply with these terms.