Iluminace 2020, 32(4):124-130 | DOI: 10.58193/ilu.1690
"Not Corrected or Otherwise Manipulated": Digitizing the Films of Jan Kříženecký (Jiří Anger (ed.), Filmy Jana Kříženeckého / The Films of Jan Kříženecký)
Benoît Turquety's review presents the DVD and Blu-ray edition of Jan Kříženecký's films, produced by the National Film Archive, highlighting in particular the radical and non-interventionist approach to digitization, which rejects traditional retouching and color correction. edition of Jan Kříženecký's films produced by the National Film Archive, highlighting in particular the radical and non-interventionist approach to digitization, which rejects traditional retouching or artificial adjustments to the frame rate and instead reveals to viewers the raw material nature and historical patina of the oldest Czech film works.
Keywords: Jan Kříženecký, early cinema, film digitization, material nature of film
Published: December 1, 2020 Show citation
References
- Ashley Kahn, A Love Supreme: The Complete Masters [booklet] (New York: Verve - Impulse! - Universal, 2015).
- Jiří Anger (ed.), Filmy Jana Kříženeckého / The Films of Jan Kříženecký [booklet] (Praha: Národní filmový archiv, 2019).
- Bryony Dixon (ed.), Fairy Tales: Early Colour Stencil Films from Pathé (London: BFI, 2012).
- Béla Balázs, Erica Carter (ed.), Early Film Theory: Visible Man and The Spirit of Film (New York and Oxford: Berghahn Books, 2010).
This is an open access article distributed under the terms of the Creative Commons Attribution 4.0 International License (CC BY 4.0), which permits use, distribution, and reproduction in any medium, provided the original publication is properly cited. No use, distribution or reproduction is permitted which does not comply with these terms.
