2/2022

 

Téma: Digital Tools in Local Cinema History

 

Editorial


Terézia Porubčanská (Masarykova univerzita / Antverpská univerzita)

Digital Tools in Local Cinema History

[plný text / EN]


Články k tématu


Karina Pryt (Goethe-Universität Frankfurt)

Using Digital Tools to Locate Living and Working Areas of Domestic Producers and Circulation of their Films in 1910s Warsaw

[abstrakt / EN]


Agata Frymus (Monash University)

Ordinary People, Ordinary Lives: The Prospects of New Cinema History

[abstrakt / EN]


Ingrid Stigsdotter (Stockholmská univerzita)

Anna Hofman-Uddgren, Pioneer of Stockholm Cinema Culture. Digitized Tools and Resources
for Research on Early Cinema History and Film Reception in Sweden

[abstrakt / EN]


Michael Aronson – Gabriele Hayden – Elizabeth Peterson (University of Oregon)

Local Cinema History at Scale: Data and Methods for Comparative Exhibition Studies

[abstrakt / EN]


Rozhovor


Terézia Porubčanská

Building a Digital Archive for Cross-national Historical Research. An Interview with Daniela Treveri Gennari, Lies Van de Vijver and Pierluigi Ercole


Recenze


Martin Mišúr

Limity, lesk i rétorika filmových profesionálů. Filmové průmysly nacisty okupovaných zemí

(Pavel Skopal – Roel Vande Winkel, eds., Film Professionals in Nazi-Occupied Europe)


Ivan David

Kdo vlastní obrazy?

(Sylvie Lindeperg – Ania Szczepanska, Who Owns the Images?)

obalka 2 2022 mala