4/2020

Theme:

Thinking Animation Beyond Genre and Media Limits

Editorial

Themed Articles

Lukáš Skupa (National Film Archive in Prague)

Which Will Be the Right One? The Beginnings of Fairytale Genre in Czech Animated Film after 1948

Lucie Česálková (National Museum)

Goods Above All. Czechoslovak Animation and Advertising

in the Early 1960s

Marie Barešová (National Film Archive in Prague)

Vukotić and the Others. Yugoslav Animation in Czechoslovak Cinema Distribution in the Circumstances of Bilateral Relations

Veronika Hanáková (Charles University)

The Plasmaticity of Digital Surface. CGI (Sur)Realism

in Jon Rafman’s Dream Journal

Maria Panova (Paisii Hilendarski University of Plovdiv)

Andrey Khrzhanovsky’s A Cat and a Half (2002)

as a Palimpsest Beyond Conventions

Interview

Kamila Boháčková – Michaela Režová

The Animated Documentary is Still for a Small Group

of Viewers.

An Interview with Annabelle Honess Roe

Industry Voices

Matěj Forejt

Painted Animation between the Author’s Work

and the Film Industry.
An Interview with Lucie Sunková

Ad fontes

Marie Barešová – Eva Strusková

Something New Came up with Each Film.

History of Czech Animated Film in the Collection of Sound Recordings of the National Film Archive

Reviews

Benoît Turquety

“Not Corrected or Otherwise Manipulated”: Digitizing the Films of Jan Kříženecký

(Jiří Anger (ed.), Filmy Jana Kříženeckého / The Films

of Jan Kříženecký)

Tereza Czesany Dvořáková

Facts from a Steel Cabinet. History of Austrian Cinemas during the German Occupation

(Klaus Christian Vögl, Angeschlossen und gleichgeschaltet. Kino in Österreich 1938–1945)

Matěj Forejt

From the Family Chronicle of a Custom Filmmaker
(Herma Kennel, Als die Comics laufen lernten

— Der Trickfilmpionier Wolfgang Kaskeline zwischen Werbekunst und Propaganda).