2/2004

Theme: Language versions and the Coming of Sound

Themed Articles

Ginette Vincendeau:

Hollywood Babel. The Coming of Sound and the Multiple-Language Versions

Martin Barnier:

The Treatment of the Export of Sound Film: the Multiple-Language Versions

Corinna Müller:

A Surfeit of Explicit Differences. A Problem of the Distribution of Foreign Sound Film

Ivan Klimeš:

Multiple-Language Versions of Czech Films and the Film Industry in Czechoslovakia in the 1930s

[full text (CZ)]

Petr Szczepanik:

Constructing International Space in Czech Multiple-Language Versions

Petr Mareš:

Languages, Actors and Audience C. a k. polní maršálek versus Der Falsche Feldmarschall

Natasha Drubek-Meyer:

Two Sounds of Music? Soviet and American Musicals in the 1930s

Interviews

Petr Szczepanik – Pavel Skopal:

On behalf of Praxeology of the Marginal Forms.An Interview with Vinzenz Hediger

[full text (CZ)]

Documents

Giuseppe Dierna:

The Murder as a glamorous Art of Amour: Palebluebeard (1970) by Jan Švankmajer

Jan Švankmajer:

Palebluebeard (Technical Screenplay)

Ludvík Šváb:

L'autre chien (Screenplay)

Double-view

Zdeněk Hudec:

Nigtmare on Blier Street About a Paradox and Architecture in the Film Buffet froid

Vít Janeček:

The Geometry as a Story

Horizon

Petr Mareš:

A Survey of the Way from Silent Film to Sound Film (Corinna Müller: Vom Stummfilm zum Tonfilm)

Miloš Vojtěchovský:

The Cinematic Imagery of the Future (J. Shaw – P. Weibel /eds./: Future Cinema. The Cinematic Imaginery after Film)

Appendix

Recent Acquisition of the NFA Library