2/2004
Theme: Language versions and the Coming of Sound
Themed Articles
Ginette Vincendeau:
Hollywood Babel. The Coming of Sound and the Multiple-Language Versions
Martin Barnier:
The Treatment of the Export of Sound Film: the Multiple-Language Versions
Corinna Müller:
A Surfeit of Explicit Differences. A Problem of the Distribution of Foreign Sound Film
Ivan Klimeš:
Multiple-Language Versions of Czech Films and the Film Industry in Czechoslovakia in the 1930s
[full text (CZ)]
Petr Szczepanik:
Constructing International Space in Czech Multiple-Language Versions
Petr Mareš:
Languages, Actors and Audience C. a k. polní maršálek versus Der Falsche Feldmarschall
Natasha Drubek-Meyer:
Two Sounds of Music? Soviet and American Musicals in the 1930s
Interviews
Petr Szczepanik – Pavel Skopal:
On behalf of Praxeology of the Marginal Forms.An Interview with Vinzenz Hediger
[full text (CZ)]
Documents
Giuseppe Dierna:
The Murder as a glamorous Art of Amour: Palebluebeard (1970) by Jan Švankmajer
Jan Švankmajer:
Palebluebeard (Technical Screenplay)
Ludvík Šváb:
L'autre chien (Screenplay)
Double-view
Zdeněk Hudec:
Nigtmare on Blier Street About a Paradox and Architecture in the Film Buffet froid
Vít Janeček:
The Geometry as a Story
Horizon
Petr Mareš:
A Survey of the Way from Silent Film to Sound Film (Corinna Müller: Vom Stummfilm zum Tonfilm)
Miloš Vojtěchovský:
The Cinematic Imagery of the Future (J. Shaw – P. Weibel /eds./: Future Cinema. The Cinematic Imaginery after Film)
Appendix
Recent Acquisition of the NFA Library
|