2/2014
Articles
Petr Szczepanik Industrial Authorship and Group Style in Czech Cinema of the 1950s and 1960s
[full text (CZ)]
Kateřina Svatoňová Jaroslav Kučera’s Experimental Points of View. An Attempt at an Analysis of a Cinematographer’s Media Practice
Marika Kupková Uncertain Dominance. The Position of Writers in Czech Cinema of the Second Half of the 1940s
Martin Mišúr “Do Not Attempt to Investigate on Your Own!” The Threshold of Decision-Making Power and Supervision of Institutions in Red Scare Movies
Constantin Parvulescu – Ciprian Nițu Challenging Communities of Values. The Peripheral Cosmopolitanism of Marian Crișan’s MORGEN
Horizon
Petr Mareš Impure Art and Mind Games. Two Books on Alain Resnais (Sophie Rudolph, Die Filme von Alain Resnais. Reflexionen auf das Kino als unreine Kunst. / David Čeněk – Martin Kaňuch – Michal Michalovič /eds./, Alain Resnais. Kinematografia mozgu)
[full text (CZ)]
Martin Blažíček Theory as Manifest (Martin Čihák, Ponorná řeka kinematografie)
Petr Bilík Citizens. An Asymmetrical Portrait of the Film (Briana Čechová /ed./, Všichni dobří rodáci)
Alena Šlingerová Unstable Images of a Post-War Countryside (Petr Slinták, Hana Rottová, Venkov v českém filmu 1945–1969)
Martin Charvát
Archeology of Photography (Jaroslav Anděl, Myšlení o fotografii I: průvodce modernitou v antologii textů)
Lada Žabenská The Distribution Project TIDE. Mere Experiment, No Cannibalism!
[full text (CZ)]
Ad fontes
Jeanne Pommeau The Film Restoration of THE ARRIVAL FROM THE DARKNESS
Jaroslav Štuller The Club of Film Referees and Publicists (1930–1933)
Project
Kateřina Krtilová – Kateřina Svatoňová
Czech-German “Medienwissenschaft”
[full text (CZ)]
Appendix
Recent Acquisitions of the NFA Library
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