2/2014

Articles

Petr Szczepanik
Industrial Authorship and Group Style in Czech Cinema of the 1950s and 1960s

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Kateřina Svatoňová
Jaroslav Kučera’s Experimental Points of View. An Attempt at an Analysis of a Cinematographer’s Media Practice

Marika Kupková
Uncertain Dominance. The Position of Writers in Czech Cinema of the Second Half of the 1940s

Martin Mišúr
“Do Not Attempt to Investigate on Your Own!” The Threshold of Decision-Making Power and Supervision of Institutions in Red Scare Movies

Constantin Parvulescu – Ciprian Nițu
Challenging Communities of Values. The Peripheral Cosmopolitanism of Marian Crișan’s MORGEN

Horizon

Petr Mareš
Impure Art and Mind Games. Two Books on Alain Resnais (Sophie Rudolph, Die Filme von Alain Resnais. Reflexionen auf das Kino als unreine Kunst. / David Čeněk – Martin Kaňuch – Michal Michalovič /eds./, Alain Resnais. Kinematografia mozgu)

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Martin Blažíček
Theory as Manifest (Martin Čihák, Ponorná řeka kinematografie)

Petr Bilík
Citizens. An Asymmetrical Portrait of the Film (Briana Čechová /ed./, Všichni dobří rodáci)

Alena Šlingerová
Unstable Images of a Post-War Countryside (Petr Slinták, Hana Rottová, Venkov v českém filmu 1945–1969)

Martin Charvát

Archeology of Photography (Jaroslav Anděl, Myšlení o fotografii I: průvodce modernitou v antologii textů)

Lada Žabenská
The Distribution Project TIDE. Mere Experiment, No Cannibalism!

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Ad fontes

Jeanne Pommeau
The Film Restoration of THE ARRIVAL FROM THE DARKNESS

Jaroslav Štuller
The Club of Film Referees and Publicists (1930–1933)

Project

Kateřina Krtilová – Kateřina Svatoňová

Czech-German “Medienwissenschaft”

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Appendix

Recent Acquisitions of the NFA Library