4/2014

Screenwriting: theory, history, practice

 

Themed Articles

 

Editorial

 

Petr Mareš
Screenplay — Verbal Text and Anticipation of a Film

 

Eva Pjajčíková – Petr Szczepanik
"We are not HBO, We are Television":

An Ethnographic Analysis of the Group Writing of the Series THE FIRST REPUBLIC

 

Muriel Mille
How to Make Something Ordinary from the Unusual.
Production of Credibility in the Series PLUS BELLE LA VIE


Jan Černík
"Technical Screenplay" and Sovietization of Czechoslovak Film Production, (1945–1954)

 

Editions and Materials

 

Ivan Klimeš
A Clerk between Hockey Boards


Memorandum by J. A. Palouš, 1922 (Report on the Development
of the Cinema Department)

 

Horizon


Martin Šrajer
Czechs and their Normalisation (Paulina Bren, Zelinář a jeho televize. Kultura komunismu po pražském jaru 1968)

[full text (CZ)]

 

Łukasz Biskupski – Michał Pabiś-Orzeszyna
The Fourth Annual Screen Industries in East-Central Europe Conference (Screen Industries in East-Central Europe IV: Industry of Prestige)

[full text (EN)]

 

Barbora Ligasová
Student Report from a Conference (Screen Industries in East-Central Europe IV: Industry of Prestige)

 

Ad fontes

 

Jiří Novotný
Josef Kamil Horák and Czech Cinema

 

Petr Hasan
Th e Association of Premier Cinemas in Czechoslovakia (1931–1938)

 

Project

 

Eva Križková
"Art" in Slovak Cinemas from the Separation of the Slovak Republic to the Present Day

 

Appendices

 

Recent Acquisitions of the NFA Library

Contents of Volume XXVI of Iluminace

 

Obalka