4/2014

Screenwriting: theory, history, practice

Themed Articles

Editorial

Petr Mareš
Screenplay — Verbal Text and Anticipation of a Film

Eva Pjajčíková – Petr Szczepanik
"We are not HBO, We are Television":

An Ethnographic Analysis of the Group Writing of the Series THE FIRST REPUBLIC

Muriel Mille
How to Make Something Ordinary from the Unusual.
Production of Credibility in the Series PLUS BELLE LA VIE

Jan Černík
"Technical Screenplay" and Sovietization of Czechoslovak Film Production, (1945–1954)

Editions and Materials

Ivan Klimeš
A Clerk between Hockey Boards

Memorandum by J. A. Palouš, 1922 (Report on the Development
of the Cinema Department)

Horizon

Martin Šrajer
Czechs and their Normalisation (Paulina Bren, Zelinář a jeho televize. Kultura komunismu po pražském jaru 1968)

[full text (CZ)]

Łukasz Biskupski – Michał Pabiś-Orzeszyna
The Fourth Annual Screen Industries in East-Central Europe Conference (Screen Industries in East-Central Europe IV: Industry of Prestige)

[full text (EN)]

Barbora Ligasová
Student Report from a Conference (Screen Industries in East-Central Europe IV: Industry of Prestige)

Ad fontes

Jiří Novotný
Josef Kamil Horák and Czech Cinema

Petr Hasan
Th e Association of Premier Cinemas in Czechoslovakia (1931–1938)

Project

Eva Križková
"Art" in Slovak Cinemas from the Separation of the Slovak Republic to the Present Day

Appendices

Recent Acquisitions of the NFA Library

Contents of Volume XXVI of Iluminace