4/2014
Screenwriting: theory, history, practice
Themed Articles
Editorial
Petr Mareš Screenplay — Verbal Text and Anticipation of a Film
Eva Pjajčíková – Petr Szczepanik "We are not HBO, We are Television":
An Ethnographic Analysis of the Group Writing of the Series THE FIRST REPUBLIC
Muriel Mille How to Make Something Ordinary from the Unusual. Production of Credibility in the Series PLUS BELLE LA VIE
Jan Černík "Technical Screenplay" and Sovietization of Czechoslovak Film Production, (1945–1954)
Editions and Materials
Ivan Klimeš A Clerk between Hockey Boards
Memorandum by J. A. Palouš, 1922 (Report on the Development of the Cinema Department)
Horizon
Martin Šrajer Czechs and their Normalisation (Paulina Bren, Zelinář a jeho televize. Kultura komunismu po pražském jaru 1968)
[full text (CZ)]
Łukasz Biskupski – Michał Pabiś-Orzeszyna The Fourth Annual Screen Industries in East-Central Europe Conference (Screen Industries in East-Central Europe IV: Industry of Prestige)
[full text (EN)]
Barbora Ligasová Student Report from a Conference (Screen Industries in East-Central Europe IV: Industry of Prestige)
Ad fontes
Jiří Novotný Josef Kamil Horák and Czech Cinema
Petr Hasan Th e Association of Premier Cinemas in Czechoslovakia (1931–1938)
Project
Eva Križková "Art" in Slovak Cinemas from the Separation of the Slovak Republic to the Present Day
Appendices
Recent Acquisitions of the NFA Library
Contents of Volume XXVI of Iluminace
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