4/2018
Editorial
Articles
Pavel Skopal (Masaryk University)
Tramps Wandering the “New Europe”.
The Reich’s Film Politics and the Export Capacity of the Protectorate’s Cinema
[abstract / EN]
Tereza Czesany Dvořáková (Charles University)
The Reich, the Europe, the Protectorate, and the Cinema.
Prag-Film during Crystallization and Realization of Nazi Film Expansion
[abstract / EN]
Roel Vande Winkel (KU Leuven, LUCA School of Arts)
German Film Stars as Cultural Agents in Occupied Belgium (1940–1944)
[abstract / EN]
David Frey (United States Military Academy, West Point)
‘Which Path to Christian Nationalism?
Wartime Hungarian Cinema in New Order Europe’
[abstract / EN]
Interview
Pavel Skopal
Occupation as an European Experience.
An Interview with Tatjana Tönsmeyer
Industry Voices
Eva Pjajčíková – Marek Loskot
Balance between Creative Risk, Originality
and Financial Return. An Interview with Christian Routh
Documents
Pavel Skopal
Vision of the Reich Film Industry
Ad fontes
Luboš Marek
Ponrepo Viktor 1860–1926 (1931)
Alena Šlingerová
Compilation War Documentary Neznámý vojín mluví (1934)
Horizon
Petr Mareš
The Beginning of the Film as a Challenge for Analysis
(Annette Insdorf, Cinematic Overtures: How to Read Opening Scenes)
Martin Kos
Theory of the Narrative Bang
(David Bordwell, Reinventing Hollywood: How 1940s Filmmakers Changed Movie Storytelling)
Pavel Bednařík
Film Criticism as a Mission
(Tomáš Hála (ed.), Galina Kopaněva. Spatřit a napsat. Filmové kritiky, statě a rozhovory)
Matěj Forejt
Art Save the Screen
(ScreenSaverGallery: Nelidské umění)
Appendix
New Acquisitions of the NFA Library
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