Iluminace 2019, 31(4):79-84
Spectatorship as World Creation. An Interview with Timothy Corrigan
Tereza Hadravová and Andrea Slováková's interview with theorist Timothy Corrigan focuses on the changes in film viewing in the digital age, analyzing the transition from the traditional to the interactive model of reception and emphasizing the central role of writing, describing, and film essays as productive tools that enable viewers to actively shape meanings and help counter the threat of so-called digital narcissism.
Keywords: Timothy Corrigan, film audience, interactive reception, film essay, digital narcissism
Published: December 1, 2019 Show citation
References
- Timothy Corrigan, A Short Guide to Writing about Film. Ninth Edition. London: Pearson 2014 [1. vyd. orig. 1989].
- Timothy Corrigan - Patricia White, The Film Experience: An Introduction. Fifth Edition. Boston and New York: Bedford/St. Martin's 2017 [1. vyd. orig. 2004].
- Timothy Corrigan, A Cinema Without Walls: Movies and Culture after Vietnam. New Brunswick: Rutgers University Press 1991.
- Timothy Corrigan, The Essay Film: From Montaigne, After Marker. New York: Oxford University Press 2011.
- Nora M. Alter - Timothy Corrigan (eds), Essays on the Essay Film. New York: Columbia University Press, 2017.
- Andrea Slováková - Tereza Hadravová, Etika a estetika reálného. Kino-Ikon 24, 2019, č. 2, s. 67-75.
- Timothy Corrigan, Bezprostřední historie. Zásahy videopásky a narativní film. Iluminace 12, 2000, č. 3, s. 65-77.
- Timothy Corrigan, Film a pavučina popisu. Kino-Ikon 24, 2019, č. 2, s. 49-65.
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