Iluminace, 1994 (vol. 6), issue 4
Amédée Ozenfant: film and art?
Michal Bregant
Iluminace 1994, 6(4):75-76 
Introduction to the reissue of an interview about film with French art theorist Amédée Ozenfant for Revue Devětsilu from the late 1920s.
Film
Amédée Ozenfant
Iluminace 1994, 6(4):77-78
An interview with French art theorist Amédée Ozenfant about film.
Historian at the cinema
Jiří Rak
Iluminace 1994, 6(4):129-133
Review of the book Bilder schreiben Geschichte: Der Historiker im Kino (ed. Rainer Rother; Berlin 1991) containing essays by leading historians on film as a historical source.
From the beginnings of cinema
Jiří Pokorný
Iluminace 1994, 6(4):133-134
Review of an anthology of contemporary articles from German periodicals Prolog vor dem Film. Nachdenken über ein neues Medium 1909–1914 (ed. Jörg Schweinitz; Leipzig 1992).
Forman's transformations
Jan Lukeš
Iluminace 1994, 6(4):135-139
Reviews of three books devoted to director Miloš Forman - A. J. Liehm, Stories of Miloš Forman (Prague 1993); Jasmin Dizdarevič, Audition for Director Miloš Forman (Prague 1990); Miloš Forman and Jan Novák, What Do I Know? Autobiography of Miloš Forman (Brno 1994).
Articles
"L'âge d'or" today
Petr Král
Iluminace 1994, 6(4):5-15
Analysis of Luis Buñuel's classic surrealist film The Golden Age (L'Âge d'or).
Film according to Dalí
Petr Král
Iluminace 1994, 6(4):17-18
Introduction to a series of articles on film by Salvador Dalí from the late 1920s and early 1930s.
A Brief History of Film Criticism
Salvador Dalí
Iluminace 1994, 6(4):19-22
A look at the first decades of film media from the perspective of experimental film.
Art film, anti-art pollen
Salvador Dalí
Iluminace 1994, 6(4):22-24
A reflection on the artistic boundaries of film, favoring experimental film (Man Ray, Fernand Léger).
…Harry Langdon, high above music so far
Salvador Dalí
Iluminace 1994, 6(4):25
Salvador Dalí's admiring commentary on Harry Langdon, the great personality of American slapstick comedy.
Un chien andalou
Salvador Dalí
Iluminace 1994, 6(4):25-26
Salvador Dalí on the iconic surrealist film Un Chien Andalou (1928), which he co-directed with Luis Buñuel.
Ach, Althusser! Historiography and the Rise of Cinema Studies
Robert Sklar
Iluminace 1994, 6(4):27-45
A look back at the establishment of film studies as an academic discipline in the 1960s and 1980s, with a reminder of important authors and works, including new film history.
Mother and child. Forty-five seconds of dialogue in The Smiling Country (1952)
Ivan Klimeš
Iluminace 1994, 6(4):47-74
An analysis of the propaganda film Usměvavá zem (The Smiling Land, 1952) about the collectivization of a village in the context of the centralized dramaturgy of state cinema after the communists came to power in Czechoslovakia.
Editions and Materials
The Renewed Erotikon: Searching for Style in Silent Film
Michal Bregant
Iluminace 1994, 6(4):79-90
Analysis of Gustav Machatý's film Erotikon based on the newly reconstructed version of the film.
Virginity. Film Manuscript
Vítězslav Nezval
Iluminace 1994, 6(4):91-97
The theme for Gustav Machatý's 1929 film Erotikon.
Erotikon
Vítězslav Nezval
Iluminace 1994, 6(4):98-101
itle card for Gustav Machatý's film Erotikon (1929), based on a story by Vítězslav Nezval.
Erotikon
Anonym
Iluminace 1994, 6(4):102-109
Dialogue script for Gustav Machatý's film Erotikon (1929), based on a story by Vítězslav Nezval, for the Czech dubbed version of the film from 1933.
Erotikon in contemporary press
více autorů
Iluminace 1994, 6(4):110-127
Contemporary reviews of Gustav Machatý's film Erotikon (1929), based on a story by Vítězslav Nezval.