Iluminace, 2000 (vol. 12), issue 4
Articles
Fidelio or Marital Love. Eyes Wide Shut As the War of the Worlds
Karel Thein
Iluminace 2000, 12(4):5-22 
An analysis of Stanley Kubrick's latest film Eyes Wide Shut and a comparison with his earlier work. The issue of adaptation of literary works, cooperation with the authors of prequels. The motif of love, marriage and the relationship between men and women in film.
Forever. Eyes Wide Shut or Petrified Desire
Altiero Scicchitano
Iluminace 2000, 12(4):23-31
An analysis of Stanley Kubrick's latest film Eyes Wide Shut and a comparison with his earlier work.
Godard's Le Mépris: On Memory and Death in/of Film. Lang and Godard: Attempt at a Double Portrait
Petr Málek
Iluminace 2000, 12(4):33-73
An unusual double portrait of two of the world's leading directors, Jean-Luc Godard and Fritz Lang, based on an analysis of Godard's film Contempt and with an emphasis on Godard's frequent film theme - the theme of death.
History, Histories, Historiography
Francesco Casetti
Iluminace 2000, 12(4):75-95
Characteristics of film history and its different categories. Division of historical research into economic-industrial, socio-cultural, aesthetic-linguistic, educational history and global history. The achievements and focus of recent film scholars.
Events in the Film Industry in 1949
Jiří Knapík, Karolina Vočadlo
Iluminace 2000, 12(4):97-120
Specification of the cultural policy of the Communist Party of Czechoslovakia in 1948-1952 in film production. Management and reorganization of film production. The position of Vítězslav Nezval and efforts to dismiss him. Affairs at the turn of 1948-1949, cultural and political causes of the conflict and its aftermath.
Editions and Materials
Project for Centre Controlled Film Production. (Introduction to the edition)
Ivan Klimeš
Iluminace 2000, 12(4):135-139
Editorial to edited documents - minutes from the meetings of the Cultural Council of the Central Committee of the Communist Party of Czechoslovakia on film dramaturgy from 1948-1949. Analysis of the political situation and commentary on events in the field of film.
Culture Board of the Central Committee of Communist Party of Czechoslovakia about the film production 1948 - 1949
bez autora
Iluminace 2000, 12(4):140-165
Excerpt from the resolution and minutes of the meeting of the Cultural Council of the Central Committee of the Communist Party of Czechoslovakia, which, after its establishment in September 1948, immediately turned its attention to the situation in Czechoslovak state cinema and particularly focused on the issue of dramaturgy and its reorganisation.
Interviews
I didn't Write The Jungle Book. An Interview with Svetozar Vítek
Eva Strusková
Iluminace 2000, 12(4):121-133
Svetozár Vítek, theatre director, pedagogue, publicist and manager of the Czechoslovak State Film, talks about the situation in Czechoslovak film in 1948-1953.
Horizon
History of Certain Trends within the Film History
Helena Bendová
Iluminace 2000, 12(4):175-177
Review of D. Bordwell's publication: Towards a History of Film Style.
Three Queries Addresed to Neo(post)structuralism
Peter Michalovič
Iluminace 2000, 12(4):177-181
Review of the publication by M. Frank: What is Neostructuralism?
Spaces in Film
Petr Mareš
Iluminace 2000, 12(4):181-183
Review of the publication by M. Kaňucha: Space in Film.
The World in Moving Images of Martin Šulík
Oliver Bakoš
Iluminace 2000, 12(4):184-188
Review of the publication The World in Moving Pictures by Martin Šulík.
Linguistic and Non-Linguistic Systems of Signs (An Essay at Linguistic Interpretation of Film)
Pavel Novotný
Iluminace 2000, 12(4):188-190
A review of The Order and a reflection on the film's title, its analysis and meanings.
Double-view
Dialectics of Film, Dialectic Film
Miroslav Marcelli
Iluminace 2000, 12(4):167-169
An analysis of Ján Kadár and Elmar Klos's film Abduction and a reflection on its genre designation "drama", as the film has shifted towards comedy with the passage of time.
Abduction from reality into a dream
Miroslav Petříček
Iluminace 2000, 12(4):170-173
A review of Ján Kadár and Elmar Klos' film Abduction.